MATT'S LESSON PAGE
LESSON 1Hi Matt! Welcome to your lesson page. Let's jump right in...
First, we were talking about Keys and chords in keys. I made this tab/chart to help illustrate the concept. It's pretty simple: find your major scale from the chromatic scale (using the WWhWWWh pattern) and make your triads based on each scale degree. Remember that these patterns will hold true for ALL MAJOR KEYS! I made a video with the licks we added to "This Land is Your Land." I also wrote out a few bluegrass/flatpicking licks in the key of G. The kind of stuff you might find on that True Fire thing. They'll help you to start turning some of these scales we're learning into more musical lines! Good luck and see you next week, z |
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LESSON 2Hi Matt! Today we're talking about the CAGED system, a few bluegrass runs, and some CCR! The CAGED system is pretty simple. 5 major scale shapes based on the open chord shapes C, A, G, E, D. When you practice them see if you can visualize the shapes of the chord tones while you play the scale. You can practice the arpeggios (just playing the chord tones) as well. All shapes can be played in any key!
In the video I review the bluegrass lick we were working on over G, C and D chords. See if you can see how each version of this lick sits in the CAGED system. Once you can see that pattern, you'll be able to move the lick around the guitar to any key you want. Special homework: Play the lick as many times as humanly possible over "Midnight Special." Fogerty won't mind a bit:) Creedence did it in the key of D. So you can change the chart to the key of G like we were working on (good practice!) You can work on it in the key of D too if you have the time. Have fun! See you next week, Z |
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Lesson 3
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Matt - Here is a video going over the C shape in the key of D. Practice the chord shape and arpeggio and then see if you can visualize the scale around that shape. I made you a long D drone so you can blast off and play around with the scale and shape. While your doing that and getting used to the fingerings and such, take notice of how each one of the scale tones sounds over the drone. They each have their own color. Have fun!
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Lesson 4
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Hey Matt! Today we're looking at Ashokan Farewell in D major. You should be able to figure it out pretty well from the video and the chart. Remember to use the C shape from the CAGED system starting on the 5th fret (key of D). Get the melody down and then use the notes in the D major scale to solo over the chord changes. Listen to how the notes sound over the chords as they pass by, and try to get that shape solid in your fingers. Have fun and good luck!
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lesson 5
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Hi Matt! We're looking at some arpeggios this week. Arpeggios are used when you want to outline the tones of a chord. You can think of them as playing a chord as a line or melody (liquid) rather then as a block (frozen). I wrote out all of the arpeggios in the C shape (Key of D) for Ashokan Farewell. Practice them slowly and then see if you can connect them over the backing track to outline the chords as they pass by. It's fun! Like temporal Sudoku. Have fun, and I'll see you next week, Z.
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Lesson 6
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Hey Matt! Today we're talking about intervals. Hopefully this will give you something to grab on to while you search for all those scale and arpeggio shapes!! Intervals are simply the space or distance between two notes. The smallest interval being a half step and the largest being limited only by our ears and instrument. This set of exercises is designed to help you see these intervals as a shape between two adjacent strings. The shapes will be consistent from string to string, with a one fret adjustment between the 3rd and 2nd strings. Check out the exercises and see if you can find these shapes and intervals in Ashokan Farewell. Remember that a Major triad is made up of a Major 3rd and a Minor 3rd. A Minor triad is made up of a Minor 3rd and a Major 3rd. Have fun and good luck! Z
lesson 7Hey Matt! We're talking about arpeggios and ear training today. The ear training website I wanted you to check out is https://www.good-ear.com/. There are also some really great apps out there you can check out. First we'll focus on ascending intervals up to a perfect 5th. Here are your song prompts:
1/2 step: jaws whole step: sound of music minor third: lullaby major third: mary had a little lamb( ma -ry -had. the ma is the major third) 4th: here comes the bride tri-tone: Hendrix 5th: Star Wars You can substitute any other tunes you find that work well for you. So listen to the ascending intervals and identify!! The Arpeggio etude is explained well in the video. Take it one arpeggio at at time and try to work it up to where you can play the whole thing smoothly over the chord changes. Good luck and have fun! See you next week, z |
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lesson 8
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Hi Matt! Here is another arpeggio exercise for you. It's in the same position as "Ashokan Farewell." It's the chord changes to "Stand By Me." Proceed along the same lines - get each arpeggio down and then try to smooth them out so you can play through the chord changes with ease. Have fun! z
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lesson 9
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Hi Matt! This week were continuing with arpeggios. In the video I go over the arpeggio up and scale down exercise, connecting arpeggios with scale tones, and moving up the neck into the next CAGED position. I think you'll be able to get the stuff in the C position from the video, but I've included a chart of the "Stand By Me" arpeggios for the next (A) position. Have fun and go slow! As always, let me know if you've got any questions. See you next week, z
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lesson 10
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Hi Matt! Today we're moving up the fretboard! One of my other students sent me a cool chart of the CAGED system. I put it here for you to check out. She said it helped her piece it together, so hopefully it will be a good thing for you too. In the video, I go into the A shape and the G shape. Everything is still in the key of D. Remember that all of these things can be moved to any key! Have fun and see you next week, z
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lesson 11
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Hi Matt! This week we're looking at the CAGED scales a little differently. One thing about the guitar, that is both a blessing and a curse, is that you can play the same thing in lots of different positions. A good way to practice is to take a melody through each of the CAGED shapes. Take a look at the video and try playing some different melodies up and down the neck, from shape to shape. Good luck! z
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lesson 12
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Hey Matt! I checked out that Dead tune - "Crazy Fingers" It's a great tune and a good opportunity for you to work on your barre chords and 7th chords! In the video I go over how to construct them. Points to remember: There are four parent shapes. Two with bass notes on the 6th string, and 2 with bass notes on the 5th string. From those you can adjust to make the 7ths. Remember: A major 7th chord is a major triad with a major seventh. A dominant 7th (written C7) is a major triad with a flat 7th. A minor-major is a minor triad with a major 7th. A minor 7th chord is a minor triad with a flat 7th. A half diminished chord is a minor 7th chord with a flat 5th. (sometimes written Cmin7-b5). Good luck! If this is too much, just take from it what you can get and we can pick through the rest next lesson. Have fun and see you next week! z
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lesson 13 |
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Hey Matt! We're looking at "Crazy Fingers" by the Dead. Lots of chords in this one! I checked out the song and found a chord chart for you. Most of the chords are notated in the first position. These are all great voicings to learn, and a great way to play the song. Keep in mind the other alternatives as you go. Particularly on the Dmaj7, Dbmaj7, and Eb chords. You can play them in the first position or find them up the neck in one of the barre chord shapes we worked on. Options are good! Have fun working through it, and we'll check it out together next week. As always, let me know if you have any questions! Z
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lesson 14
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Hi Matt! This week we're talking about some strategies to work on transitioning smoothly between chords. This method, which I've heard dubbed the "Matrix" method, works extremely well. It's tougher than it looks, so take it easy and don't try it for too long at once to avoid burning out! The idea here is to pick a shape or a change and to track the movement of each finger individually through space. Notice the arc it makes when moving from one note to the next. Notice if it changes strings, or stays on the same string. Notice if you can position your wrist or thumb differently to accommodate the new shape. Once you have things feeling comfortable, practice going from one shape to the next as slowly as humanly possible. Keep fingers empty and relaxed. IF you practice this way, you will notice the chord changes smoothing out and things finding their way almost on their own. Good luck and have fun! z
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lesson 15Hi Matt! This week we're looking at some barre chord alternatives for "Crazy Fingers." We checked these out in lessons, but I thought it'd be good for you to have a record of them, so you can refer back. Most of the chords in the "Crazy Fingers" tab are notated in the 1st position. These are great voicings, but if you get these barre chords under your fingers you'll have some options. I find it easier to play the barre chords when playing the Ebmaj7, Dmaj7, Dbmaj7 chord changes. All voicings are good so pick and choose what works for you. Have fun! z
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Lesson 16
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Hi Matt! This week we're checking out Autumn Leaves. It's a great old tune. Here's a couple of links to Youtube clips to get you aquainted with it: https://youtu.be/Gnp58oepHUQ https://youtu.be/XvTxzAXx8gQ We're going to be staying in the first position on the guitar. The first move is to get the melody and the chord changes down. It's a pretty simple melody in the key of A minor, with a phrase or two that moves out of the key. Try to get the tune in your head and read the tab! Have fun, and we'll work on adding the barre 7th chords next time. z
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lesson 17
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Hey Matt! Nice work on Autumn Leaves this week. In the video I talk about some different approaches you can take to make it more fun to play. One is to play only the melody and the bass notes. It's a great way to learn to get around the guitar. It sounds cool, and when you start adding the chords back in, you can really build a nice arrangement. The other thing is to try some different rhythms with the right hand. Try arpeggiating the chords, playing the melody note first and the chord right after, and anything else you can think of that sounds good to you! Have fun and I'll see you next week. Remind me to get into some of the barre 7th chords for this tune. It'll give us some more options of how to get around:) z
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lesson 18
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Hey Matt! We're adding some ideas to Autumn Leaves today. Really focus on getting the melody under your fingers first and let the other pieces fall around that. Have fun and see you next week! z
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Lesson 19
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Hey Matt! Happy thanksgiving!! This week we're looking at "Autumn Leaves." We are investigating how you can hear the C major (A minor) scale as it relates to the chord changes. Practice starting the C major scale on the root of the chord you're on. If you're playing over a Dmin7 for instance, play C major from D to D. The only difference comes at the E7 chord where we substitute a G# for the G getting the scale: E F G# A B C D. This is just one note different from C major, and accommodates the G# in our E7 chord. Some folks would call this A harmonic minor, but right now it couldn't matter less:) Have fun with it! z
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lesson 20
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Hi Matt! This week we're looking at the C major scale in a different way. We're breaking it up into chord tones and passing tones. In a 7 note scale four notes will be chord tones (for a 7th chord) and three notes will be passing tones. In the video I review how to make a loop of the chord and spend time in smaller sections of the scale to get used to this way of looking at things. It really helps to start hearing how the major scale can be used to make so many melodies! The looping app I found is called "Loopy HD." It costs five bucks or so, but the interface is nice and I think it'll do what we want. Have fun! z
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lesson 21
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Happy Holidays Matt! Here is something for you to work on next week. It's a video and chart of playing over the first three chords of Autumn Leaves. The idea here is to do an ascending arpeggio and a descending scale. You should get it from the vid and chart no problem! Have fun with it and have a happy vacation, z
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lesson 22
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Hi Matt! Hopefully you're holding up ok during Trumps presidential death rattle... It's a good time to play the blues. Here is the form for the standard 12 bar blues in E. Notice that all chords are dominant 7th chords. Try to memorize and get an ear for the form - it's already in there somewhere as you've heard it a million times. Also I go over the E minor pentatonic scale for soloing and melody purposes. Have fun and let me know if you have any questions! Z
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lesson 23
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Matt! We're looking at some shuffle blues in E this week. Our three chords are: E7, A7, and B7. In the video I go over two different shuffle patterns, some bass walk ups between chords, and some turnaround options to get you back to the top of the form. All is hopefully clear in the vid, but if you need further clarification, or if you need me to write something out, just let me know! Have fun and remember that you can sing pretty much any 12 bar blues lyrics over this groove. That gives you somewhere around a million songs to choose from...
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